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tokyo digital art museum video downloader 9

zoilazematis53235 May 14, 2023 Comment

The unprecedented digital art museum teamlab borderless features about 50 digital artworks fully 10 000 square meters in area and divided into five zones the museum breaks boundaries through digital art the installations freely move around the space at times making contact with other pieces and with visitors

7 exciting museum openings to check out this year the international art collective teamlab is relocating its popular borderless project to central tokyo s toranomon azabudai development this digital art museum is an instagrammers dream where visitors become immersed in the all encompassing art

Seeing spots at the yayoi kusama museumdiving into the world of digital art8 artists in control of their branding blossom blast 2017 tokyo s fierce all female art exhibition it s super easy to build a gorgeous artist website no code no credit card use artweb s website builder today get started for free ready to grow your art business

Anyone can download and own the authentic workdownload the artwork nft owners can modify the words of the workmodify the words purchase on pace verso from october 20 2022 17 00 est through the artwork matter is void teamlab explores the notion of ownership this is an nft artwork

The museum is open from 10 am to 7 pm on weekdays and until 9 pm on weekends digital art museum tokyo how to get there keep in mind that the digital art museum is located in odaiba and not in roppongi there is another mori building in roppongi that s why people sometimes get confused about both places but ignore this one and head to odaiba

There s been a lot of speculation as to where in tokyo teamlab will set up its new permanent museum though the upcoming plans have been kept under wraps for quite some time teamlab finally

Museum art japanese digital art collective teamlab in collaboration with local urban landscape developer mori building co ltd has unveiled their awe inspiring permanent digital art museum on june 21 2018 the amazing light displays are housed in their very own building spread out over two floors in a huge space in tokyo s odaiba district

An immersive digital art museum in tokyo youtube an immersive digital art museum in tokyoteamlab the global pioneer in digital arts and japan s most high profile collective is

Tokyo digital art museum youtube 0 00 14 20 tokyo digital art museum dominique stansbury 378 subscribers subscribe 7 276 views 3 years ago we had a great time at the tokyo

Mori building digital art museum teamlab borderless in tokyo s odaiba district combines science art technology design and images of the natural world with simulations generated by

View slideshow it s almost surprising the mori building digital art museum teamlab borderless is the first dedicated digital art museum in the world a 107 000 square foot venue recently opened in tokyo and conceived to transcend the constraints of material substance augmented reality digital art and the spectacle of made for

Address 1 3 8 odaiba palette town aomi koto 135 0064 tokyo prefecture area s odaiba website official website phone 03 6406 3949 business hours weekdays 10 00 am 5 00 pm sat sun holidays 10 00 am 7 00 pm 1st 8th may 9 00 am 8 00 pm closed 2nd 4th tuesdays places mentioned mori building digital art museum teamlab borderless

The museum is composed of five connected zones the borderless world is an interactive digital landscape including digitized waterfalls the athletics forest is meant to reflect the brain s spatial recognition abilities the future park is a children s park with imaginative games and activities the forest of lamps is a place where visitors are engulfed by hundreds

The world s first digital art museum opened its doors to the public in japan earlier this month allowing patrons to step all the way into the artworks attendees are able to move freely through

Tokyo art scene is a biweekly report on ongoing art and design exhibitions around tokyo it features event listings for architecture art ceramics design fashion fine arts photography and print both the modern and the traditional as well as digitally themed presentations the history of digital art can be traced back to the 1980s

Mori building digital art museum is located in odaiba odaiba is a part of tokyo but it is a reclaimed land and is located across a rainbow bridge from central tokyo get to shinbashi station first it is the second stop from jr tokyo station if you are using jr then transfer to yurikamome line which is a monorail transportation system

Digital art museum tokyo par teamlab bienvenue dans le futur by asian wanderlust 49 1 digital art museum tokyo préparez vous à entrer dans un autre monde une autre dimension en passant la porte du digital art museum de tokyo on est comme emporté dans un univers digital sublime le temps de la visite et même si j y allais

An introduction to cemara 6 galeri cemara 6 galeri founded by prof dr toeti heraty n roosseno in 1993 the gallery has a main exhibition hall a back yard for art and cultural activities such as discussions video art presentations performances poetry readings and other cultural activities a café and an intimate homestay are attached to it

Website magic art 3d museum jakarta opening hours 10am 10pm daily price from 60 000 idr 4 usd 6 wayang museum source photo by wikimedia commons user amelia guo used under cc by 3 0 kota tua is filled with several museums and one that is worth your time is wayang museum or puppet museum

Teamlab planets in tokyo to open a dining experience art space and flower shop on oct 8 tokyo teamlab planets tokyo in toyosu tokyo welcomes vegan ramen uzu tokyo from kyoto a new artwork space and a flower shop where visitors can take home the orchids used in one of the museum s artworks mori building digital art museum teamlab borderless in

big fish underwater digital arthur avenue

zoilazematis53235 May 13, 2023 Comment

Throughout his life edward bloom ewan mcgregor has always been a man of big appetites enormous passions and tall tales in his later years portrayed by five time best actor oscar r nominee albert finney best actor in a supporting role erin brockovich 2000 he remains a huge mystery to his son william billy crudup

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Lots of action this fishing trip with many fish of unknown species hooked but landing them wasn t as easy as hooking them the underwater camera solved some

6 virtual items certain big fish offerings may provide you with the opportunity to license a variety of virtual items such as virtual currency virtual goods and content packs virtual items that can be used while playing the big fish offering you may be required to pay a fee to obtain virtual items

The marine chart shows depth and hydrology of lake arthur on the map which is located in the pennsylvania state butler coordinates 40 9458 80 0843 3225 surface area acres 36 max depth ft to depth map go back

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Big fish games see all the latest news join our reef a vibrate diverse ecosystem where everyone thrives we make developing and publishing games as much fun as playing them explore careers i was inspired by the people who work here and their people centered approach to business i m so happy to be here artesha l d

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Every episode of arthur has a title card which displays the title the name s of the writer and storyboard artist and a short animation encompassed within a center circle season 1 originally used six different title cards but later seasons introduced more with the exception of early versions of season 1 episodes the episode title is spoken aloud by either binky buster francine d w

Create stories and maps with creation tools you can draw on the map add your photos and videos customize your view and share and collaborate with others

Big digital fish 322 likes 1 talking about this big digital fish is a boutique digital agency based in london we provide comprehensive amazon solut

Dan cesareo is an innovator who has grown big fish into a dynamic company we are going to have fun together burnett said said poznick big fish has created a wide range of programming that is compelling edgy and must watch we are excited to put the full support of mgm studios behind dan and the team to make big fish even bigger

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Big fish big fish is a musical with music and lyrics by andrew lippa and book by john august it is based on daniel wallace s 1998 novel big fish a novel of mythic proportions and the 2003 film big fish written by john august and directed by tim burton big fish revolves around the relationship between edward bloom a travelling salesman

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Whale shark the whale shark is not only the largest of all sharks but also the biggest fish in the world it can grow up to 20 meters long weigh 34 tons and live for over 100 years its back can appear gray brown or blue in color and is covered with bright white stripes and spots arranged in transverse lines

A visual way to travel 360 imagery helps you know where to go and what to expect when traveling explore world famous landmarks galleries and museums right from your device or turn the clock

A fish under the water with many hooks digital art complot 15 sharks under water fish in ocean digital art zhukov 15 a field of umbrellas under the rain digital art l dep 15 incredible underwater properties you won t believe 1 of 29 conrad hotels resorts luxury underwater living these days it s not just shoals of fish you ll find in the ocean

The fish are swimming happily it is said that this is a feeding point so they all come here to look for it after coming out i found that the original underwater tunnel is right under your feet

Ari scientists and their collaborators have bred rainbow trout a carnivorous fish in the wild capable of thriving on soybean meal without sacrificing the taste or nutrition of the fillets

digital art tutoring jobs nycb

zoilazematis53235 May 12, 2023 Comment

19 digital art tutor jobs available on indeed com apply to tutor school counselor investment banker and more

Digital art teacher jobs sort by relevance date 222 jobs 6 12 art teacher new michigan international prep school 4 2 remote 45 000 a year full time 1 monday to friday michigan teaching certificate with lx lq or lz endorsement easily apply connect students with teachers administrators and staff as needed

Nyctutoring com provides personalized tutoring in a range of subjects for students in new york city including manhattan brooklyn queens staten island and the bronx and the surrounding areas of westchester county western connecticut long island and northeastern new jersey

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Digital arts posted 05 05 23 3d animation and game design animation part time lecturer university of the incarnate word san antonio tx digital arts posted 05 05 23 assistant professor in 2d and digital arts auburn university montgomery

As a professional artist with years of experience in k 12 education i support the empowerment of aspiring artists my laptop bag is full of photoshop magic in true classroom fashion below are the five ws that explain my services who k 12 studentscollege art majorscreative professionalsadult hobbyistswhat software offeredphotoshopdigital painting photo editing retouchingillustrator graphic

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The hourly average of our us based painting teachers is 20 25 this puts painting in the middle range of average hourly rates among all of our teaching specialties alongside our online chemistry teacher jobs literature teacher jobs and thai teacher jobs which have average rates of 20 40 21 20 and 20 respectively

For college digital art tutoring consider contacting varsity tutors at varsity tutors it is our job to match students with tutors who are professional skilled and capable of helping students work towards their academic goals digital art is art created or presented through a digital format

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1930's businessman digital art studio ghibli

zoilazematis53235 May 12, 2023 Comment

Studio ghibli acclaimed japanese animation film studio that was founded in 1985 by animators and directors miyazaki hayao and takahata isao and producer suzuki toshio studio ghibli is known for the high quality of its filmmaking and its artistry its feature films won both critical and popular praise and influenced other animation studios the headquarters are in tokyo in 1984 miyazaki made

With studio ghibli s library now on digital and streaming services we ve surveyed the studio s history impact and biggest themes read all of the stories on our ghibli guide page in the

May 25 to 30 is studio ghibli week at polygon to celebrate the arrival of the japanese animation house s library on digital and streaming services we re surveying the studio s

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Text günseli yalcinkaya studio ghibli limited edition art books 6 as we wait patiently for the uk release of earwig and the witch the studio ghibli museum in mitaka japan has announced the release of a set of art books that highlight hayao miyazaki s expansive works between 2001 and 2020 featuring 900 original illustrations sketches

The decade 1930 1940 the stock market crash of 1929 and the severe economic depression that followed naturally affected the publishing industry and the careers of illustrators book publishing suffered with many publishers scaling back production and illustration commissions to save costs in printing the use of full color illustrations

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Ghibli studio digital art 1 72 of 445 ghibli studio digital art for sale mononoke digital art debby suhara 18 14 studio ghibli digital art dyah kurmo 18 14 cat bus digital art studio cartoon 19 15 isao takahata tribute digital art greg joens 28 22 calvin and hobbes digital art amy hodge 18 14 my creepy neighbor digital art angel saquero

Everything made since then has been digitally produced unlike most japanese companies however ghibli s transition from cel production to digital production was about as smooth as can be from a visual standpoint it s to the point where an untrained eye couldn t really tell the difference

May first appearances of batman and james gordon in detective comics 27 august publication of mystery men comics by fox feature syndicate begins debuting the blue beetle as dan garret october timely comics publishes marvel comics 1 renamed next issue to marvel mystery comics

A virtual tour inside the hayao miyazaki s studio ghibli museum studio ghibli makes 1 178 images free to download from my neighbor totoro spirited away other beloved animated films watch every episode of bob ross the joy of painting free online 403 episodes spanning 31 seasons

After exiting the exhibition area visitors can expect to find a stall selling studio ghibli s original merchandises such as dolls pins key chains towels umbrellas and file holders with the

Shop for studio ghibli wall art from the world s greatest living artists and iconic brands fall into the enchanting and fantastical world of studio ghibli with this charming selection of work from the mystical and adorable creatures of the movies to the carefully crafted and gorgeous scenery you will be whisked away on an adventure of your own through the love poured into every piece of art

Studio ghibli sequence art director yoichi nishikawa has worked as a background painter since 2004 with many of his credits for the films of hayao miyazaki

30 september 1930 running time 76 minutes country united kingdom language english big business is a 1930 british musical film directed by oscar m sheridan and starring frances day barrie oliver and virginia vaughan it was made at the twickenham film studios in london

Read also studio ghibli museum offers virtual tours amid covid 19 closure it was released in 1988 and became an instant classic remaining popular both in japan and abroad even hitting chinese

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digital artists instagram searchtempest app

zoilazematis53235 May 01, 2023 Comment

From its visual nature and ease of use—not to mention all those art collector users—this app could easily become your new favorite way to share your art and creative spirit.

And, posting a picture here and there is a good start. But if you really want to reap the benefits, you need to step up your Instagram game and learn how to market your art in the best way possible.

The good news? There are SO MANY apps these days to help get your art business Instagram-ready, from the pictures to the execution.

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Just like when someone shares about you on Facebook, you are going to want to reshare the post with your own followers. It provides social proof that you’re doing awesome things and are being recognized for it! Which can be a HUGE help in convincing collectors who happen across your art account to buy your work.

Unfortunately, Instagram doesn’t have its own sharing feature. But there’s a trick that Insta-savvy artists use, and it’s called the Repost for Instagram app.

First, open Instagram. In the upper right-hand corner of the imageyou want to repost, click the three dots (...) and select “Copy Link.”

Inspiring Digital Painters To Follow On Instagram (part 1)

Next, switch over to the Repost App. You should see the post you just copied at the top of the list. Click on it, and then choose which corner of the image you would like to credit the original Instagrammer. You can make this box light or dark and position it depending on what looks best with the image. Hit the blue “Repost” button at the bottom, and a box will appear. Select “Copy Caption & Open Instagram.”

TIP: If it’s a small shout-out, a 24-hour post to your Story might work best. But if it’s juicy content that you want people to see forever as they scroll through your feed, choose Feed.

Select the post from your phone’s camera roll, add a filter if necessary. Finally, if you’re posting to your feed, hold your finger down on the caption area until the “Paste” option pops up. Clicking paste will copy the caption from the original post into your new post, so everyone can read the props you received. Write an intro if you need to provide a little context to your followers or express your gratitude—and voilà!

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Catch the eye of collectors, designers, consultants, etc. by helping them envision your work in the larger context. Because while your work is stunning on its own, it can turn an ordinary room into a work of art, too!

There are a bunch of art mockup apps out there, but we love how quick and easy it is to use is WallApp.

While it’s surprisingly not a mobile app, simply go to the website and choose from the many stock room photos they provide.

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TIP: You can upload your own staged room pictures as well, or grab them from a royalty-free site like Unsplash, Pixabay, or Stocksnap.

Click the “Drag Your Artwork Here” box to upload images of your work from your computer and there you have it! Once you’ve uploaded a piece, you can scroll through the different rooms to see what you like best. Or, to start from scratch, just click “Reset Artwork” or “Reset Room” at the bottom.

Be warned, there is a tiny “Made with the OhMyPrints Wall Art Tool” watermark at the bottom of the image, which you can always choose to crop out later with a photo-editing tool.

Digital Artists You Have To Follow On Instagram In 2020

PhotoFunia is another quick site with options to preview your work in frames or on gallery walls. Or, test out a free trial of iArtView if you’re looking for more high-quality, customizable images.

Mix in these staged images with detail shots, works-in-progress, studio life, and more fun ideas to pique the interest of curious collectors on Instagram.

Ever snap a photo of your art for Instagram and it looks nothing like real life? You’re not alone. It’s a common problem we see on artists’ accounts all the time. But, the “it is what it is” mentality should never be used as an excuse to post bad pictures.

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If the colors and lighting don’t show the true quality of your artwork, your artist brand is going to take a hit. Either potential buyers are going to be turned off from your Instagram feed altogether, or they’ll be annoyed that the piece they thought they were buying doesn’t match what they got in the mail.

Sales will be lost and you’ll spend more time getting your art business back on track than it would have taken to edit your photos.

We say it all the time to our artists, but images are everything! And, there are a bunch of editing apps available these days to get your art looking as true-to-life as possible.

Free Apps To Attract Art Buyers On Instagram

For instance, the Snapseed app gives you just the right amount of professional editing tools to perfect your photos. The best part? It’s easy to use, and free for iOS and Android users.

Open the app and tap anywhere on the screen to download the photo of your art from your camera roll. For all your editing options, click “Tools” at the bottom.

And, that’s just the beginning! This YouTube video goes more in depth about how to use each feature, but even the basics will help your photos look better in no time.

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TIP: Be careful not to over edit. Remember, the goal is to make the picture of your piece match as closely as possible to the real deal.

But, Instagram can be a pretty lucrative avenue for artists if they know how to leverage it. And when it comes to gaining followers, it’s crucial to find out the best times to post so you can get even more engagement.

But these days, you don’t have to sit around and wait for the clock to strike posting time. Work smarter and save yourself some time by using a scheduling tool for Instagram.

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Instagram didn’t always allow scheduling, but now that it does, artists should hop on board A.S.A.P. There are a few great options, too, but let’s talk about what we use at Artwork Archive—Buffer.

First, make sure your Instagram account is set up as a business account, not personal. Learn how to switch here. Install the Buffer app on your phone, or set up an account through their website. Next, follow the directions to link your Buffer app to your Instagram account.

Here comes the fun part! In Settings, you’ll be able to create your posting schedule to include the days of the week and times you want to post.

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TIP: On your Instagram profile, click the icon of 4 vertical lines in the top right-hand corner of the screen to see your business insights. Choose “Audience” and scroll down to see the hours and days that your followers are most active. This will help you understand when to schedule your posts!

When you’re ready to go, just compose your post in the Buffer dashboard online or in the mobile app. (You can also type it out and copy and paste it into Buffer.) Click “Add to Queue” and it will automatically save to the next time slot available in your schedule.

You can even drag and drop to rearrange posts, switch to a different time slot, or edit to a unique time outside of the normal posting schedule.

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You can only schedule images with square dimensions. You can set and receive reminders for manually posting images with other dimensions, but as of right now, that’s what Buffer allows.

Another thing, you can tag a location in your post on Buffer, but not other users in the image. Once the picture is posted, open Instagram, click the three dots at the top and hit “Edit.” You’ll be able to tag an Instagram user as usual from here.

Scheduling works for more than just Instagram! Save time on Twitter, Facebook, even LinkedIn, so you can get back to the studio faster. Just remember that scheduling tools can’t cut out social media altogether. You have to be social to see the full benefits!

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Using these apps to help market your art will help you turn Instagram into something more profitable for your art business. Because the more people like what they see on your account, the more interested buyers will be fighting over your art.

Then when you start making sales, you can keep everything organized on Artwork Archive. Mark which pieces have been sold, generate invoices to get paidand track sales insights so your Instagram account stays profitable.I’ve gathered 25 stunning digital artists for you to follow in 2020. With their frequent posts, paintings, and process videos, your Instagram sessions can now fuel you with ideas for your next painting session!

View this post on Instagram Cover illustration for A Dark and Hollow Star by Ashley Shuttleworth @firegarbage Cover design by Laura Eckes. This was a super fun modern fantasy piece to work on! Check out Ashley's page for more about the novel and this awesome character! #art #illustration #fae #fantasy #contemporary #novel #thesix A post shared by Christophe Young (@christophe_young) on Jul 11, 2020 at 1:53pm PDT

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View this post on Instagram "Angel Eye" I added a new

digital art theory clothing company store

zoilazematis53235 April 30, 2023 Comment

WHEN I walked up to Theory’s flagship store in the meatpacking district, I saw a model teetering outside on the uneven cobblestones of Gansevoort Street, getting some last-minute touch-ups for a photo shoot. She was wearing a cream-colored coat that was gathered in the back with clips, like an exoskeletal spine.

Around the corner on Greenwich was a line of movie trailers, humming with individual air-conditioners, waiting to shelter Kate Winslet and Leonardo DiCaprio, who were apparently filming somewhere down the street.

I needed this boost of hype before entering the chillingly large interior of Theory, which offers oddly simple clothes at prices that would make no sense unless Leo and a bunch of models were around.

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There weren’t many people in the store, but that may just be because it is so huge you don’t see other people right away. The vast high-ceiling space is divided between men’s and women’s apparel, with a central pit of plush beige couches and a smattering of shoes on tables, along with art books, bags and sunglasses. Garments hang from racks suspended from the ceiling, and I began thumbing through them, trying to find something that my low-limit credit card could cope with. This was not easy.

A simple yellow and gray striped sweater and a blue shirt in a slightly buckled poplin were each $225. I gravitated toward a pair of summery seersucker pants for $195, but after trying them on, I realized they were as wide-legged as some similar pants I have that were my grandpa’s. Shorts were available in the style for $165, but I couldn’t stop thinking about the $30 of leg material that was absent from them. There were Sole Surfer flip-flops for $20, and on two small tables, a few skin care products as well as candles, available in masculine scents. “They’re mandles!” a salesperson said. (The people who work here all seem kind of fun to be around.)

I found a long-sleeve henley in a long-john weave of cool, beautifully soft viscose for $125. When I tried it on, it fit like a second skin, but I didn’t think that I was cocky enough to wear it. This was a top for Johnny Drama on “Entourage” or one of the many stylized dudes who must pass through these doors every day.

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The meatpacking district vibrates and throbs with so much trendiness and so many models and tan people that it has become an epicenter of conspicuous taste that rivals Robertson Boulevard in Los Angeles. And Theory is like the area’s City Hall.

Founded in 1997 by Andrew Rosen, Theory is owned by Link Theory Holdings, a Japanese company that recently bought and revamped Helmut Lang. It moved to this corner building in November. Viewed from outside, it looks governmental, but as you roam the gorgeous first floor, you sense that above you, every detail of your experience has been carefully planned.

Considering the cost of the renovation, Theory must be doing something right. It seems to have found a niche for itself: a contemporary clothing brand that is just a tiny silk thread away from being a designer label but isn’t one. The clothes stay as basic as Banana Republic for the small/medium/large mind-set while trying to be as distinctive as a designer brand like Marc Jacobs, which these clothes seem to emulate in both their understated preppie-cool style as well as their price tags.

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It is here that you can get your basic white V-neck T-shirt in a soft cotton fabric for $65. Or, over in the women’s section, a black silk blouse for $275 and a tiny cropped black leather bomber for $815.

These garments are given names that sound like the monikers of models who work and party outside its doors: Danton, Ares, Zander. The fabrics and colors get special titles, too, so a pair of brown shorts are not just shorts, but Jace in Quest fabric and Coffee Bean color.

BUT no matter how seductive the feel, particular the fit or ingenious the categorization, I can’t get over how expensive these clothes are. But then, I am not someone who can just order drink after drink at the Hotel Gansevoort with cavalier joy and talk about how fun it is to be tricoastal.

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For me, high prices are justified if I can fool myself into thinking that something is a luxury brand or created by some mastermind with a unique vision of the world. The clothes here do not offer as much wit, passion or unity of theme as could be had for the same amount at, say, Marc by Marc or John Varvatos. One rack, for instance, held business shirts in sullen blue and gray checks and stripes. They fit nicely, but couldn’t I go online to Lands’ End and custom-order something similar? That way I would at least have the satisfaction of getting more attention to personal detail.

Then something scary happened to me. The longer I was in the store, the more I began to internalize the inflated prices. My basic scale of value was unmoored, and as I searched a rack of sober blue shirts, I started justifying the prices. “Wow! This is only $145! That’s way less than the $225 shirt a rack away! It’s a steal!”

This led me to buy the stretchy Klaus shirt in Studio with Black Ticing (a cotton/poly/nylon weave in a thin black and white stripe) and the Kale in a Bengal Stripe of White/Sapphire, basically a cotton button-down in the conservative blue and white stripe of a banker. They seared my credit card as if it were a tuna steak.

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For all my griping, I do kind of love what I bought. I wore my Klaus shirt that night and felt pretty special. For Leo, who will probably stop by between scenes, coming here may be like me lazily going to Old Navy or Target. Sick of free Valentino and Louis Vuitton, he can dash in for mandles, flip-flops and new duds for Clooney’s Italian mansion party. See? Everyone needs basic knock-around clothes, even here in the excessive Bizarro World economy of the meatpacking district.Experimenting with colour and silhouettes, Lucas Ossendrijver designs pieces meant to be layered together for a maximalist effect, or paired with your timeless Theory essentials for a more subtle statement.

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digital art article 2015 pdf file

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This is an edited version of the Introduction to my book Digital Art, Aesthetic Creation: The Birth of a Medium, published by Routledge in their Advances in Art and Visual Studies series, 2019. In the book, the chapter is entitled ‘Introduction: The Possibility of Art’. If you wish to cite this discussion please refer to the version as presented in the book . The discussion here justifies why digital art can be regarded as an authentically artistic mode of creation, and considers aspects of its creativity.

In 1985, the French philosopher Jean-François Lyotard curated a groundbreaking exhibition called Les Immatériaux at the Centre Pompidou in Paris. The exhibition showed how telecommunication technologies were beginning to impact every aspect of life. At the same time, it was a material demonstration of what Lyotard called the post-modern condition. This book features a previously unpublished report by Jean-François Lyotard on the conception of Les Immatériaux and its relation to postmodernity. Reviewing the historical significance of the exhibition, his text is accompanied by twelve contemporary meditations. The philosophers, art historians, and artists analyse this important moment in the history of media and theory, and reflect on the new material conditions brought about by digital technologies in the last 30 years. Texts by Daniel Birnbaum, Jean-Louis Boissier, Andreas Broeckmann, Thierry Dufrêne, Francesca Gallo, Charlie Gere, Antony Hudek, Yuk Hui, Jean-François Lyotard, Robin Mackay, Anne Elisabeth Sejten, Bernard Stiegler, and Sven-Olov Wallenstein.

The notion of "postmedia" has been the subject of debate for several decades. The following text will try to highlight the main trends of those debates. My first hypothesis is that there are three different conceptions of "postmedia" which need to be looked at separately and which have to be understood as distinct: the notion of "post-mass media" (as conceptualised by Félix Guattari, Howard Slater, a.o.), the notion of the "post-medium condition" of contemporary art (Rosalind Krauss, Nicolas Bourriaud, a.o.), and the notion of the "digital as postmedia" (Peter Weibel, Lev Manovich, Domenico Quaranta, a.o.). These three discourses will be introduced in the following sections, not with the aim of offering full, let alone critical analyses, but in order to facilitate a more differentiated approach to the notion of "postmedia". My second hypothesis is that there are significant interferences between the different conceptions of "postmedia" and that interesting insights can be gained from a comparative reading of the three discourses. At the end, I will hint at some of these interferences in order to suggest epistemological vicinities and distinctions between the three concepts, and in order to mark potential starting points for a discussion between the three rather separate discourse communities.

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Digital technologies have significantly changed the practices of museums, cultural institutions, libraries, and archives. However, although many museums have adopted digital media in one way or another, few actively collect and preserve media art. This thesis explores the challenges associated with the collection, presentation, and preservation of technological and digital arts. In particular, it focuses on the different strategies that institutions, artists, and art practitioners in general have developed in order to integrate media art into the circuit of museums and art collections as well as the specific methods they implement to ensure the proper care and preservation of media artworks. Furthermore, it also explores the role that artists play regarding the documentation and conservation of media art, as well as the shared responsibilities that this emerging discipline demands. In order to approach these issues, this study emphasizes the material and immaterial, as well as medial dimensions of media art, by drawing from discussions around the concept of medium in art, Rosalind Krauss’s postmedium condition, and Christiane Paul’s notion of neomateriality. Case studies include the practices of artists such as Antoni Muntadas, Igor Štromajer, Rafael Lozano-Hemmer and, in particular, Christa Sommerer and Laurent Mignonneau. The minimal presence of media art at major museums and cultural institutions impacts the proper contextualization, categorization, and appreciation of media art. This thesis explores the state of media art preservation and collection, while also offering a theoretical discussion on the material and immaterial conditions of media art.

“Beyond New Media Art” is the revised, updated version of a book first published in Italian with the title “Media, New Media, Postmedia” (Postmedia Books, Milan 2010). Through the circulation of excerpts, reviews and interviews, the book produced some debate outside of Italy, which persuaded the author to release, three years later, this English translation. “Beyond New Media Art” is an attempt to analyze the current positioning of so-called New Media Art in the wider field of contemporary arts, and to explore the historical, sociological and conceptual reasons for its marginal position and under-recognition in recent art history. On the other hand, this book is also an attempt to suggest new critical and curatorial strategies to turn this marginalization into a thing of the past, and to stress the topicality of art addressing the media and the issues of the information age. From the book’s preface: “So what is New Media Art? What does this term really describe? And what has occasioned the schism between this term and the art scene it is supposed to describe? And lastly, what accounts for the limited presence in critical debate of an artistic practice that appears to have all the credentials for representing an era in which digital media are powerfully reshaping the political, economic, social and cultural organization of the world we live in?” Domenico Quaranta, Beyond New Media Art, Link Editions, Brescia 2013. Soft cover, 290 pp., ISBN 9781291376975

The text contributes to the discussion about the ontological status of the "image" by offering an analysis of the technical and material conditions of image-making. Departing from a close reading of French artist Julien Maire's installation Memory Cone (2009), the paper discusses four distinct types of technical conditions which determine mediated images: physiological, physical, electronic, and algorithmic. It references art historical examples to argue that such technical conditions have always been fundamental to images, and suggests the interdependency between these medial layers.This workshop is for artist-researchers who are interested in investigating the politics, ethics, and practices of data visualisation. We will explore and critique different vectors of data art to develop a deeper understanding of what might be achieved by visualising unseen relations. Participants will be encouraged to fix a critical lens to their own visualisation processes by acknowledging the biases of datasets, the power dynamics embedded in data infrastructures, and the responsibilities attached to using visualisation as a form of measurement, analysis, or art making.

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Making sense of digital security practice requires grasping how data are put to use to compose the governing of individuals. Data need to be understood in their becoming, and in their becoming something across diverse practices. To do this, we suggest embracing two conceptual tropes that jointly articulate the being together of, and in, data compositions: composting and computing. With composting, we approach data as lively entities, and we explore the decaying and recycling processes inside Big Data security. With computing, we approach data as embodied and embodying elements, and we unpack the surveillance of 'asylum speakers'. Together, composting and computing challenge recurrent images of data. Our conceptual composition takes sound as a necessary sensory counterpoint to popular data visions, notably in light of Ryoji Ikeda's artworks.

This article contributes to debates on algorithmic regulation by focusing on the domain of security. It develops an infrastructural perspective, by analyzing how algorithmic regulation is enacted through the custom-built transatlantic data infrastructures of the EU-U.S. PNR and TFTP programs. Concerning regulation through algorithms, this approach analyzes how specific, commercial data are rendered transferable and meaningful in a security context. Concerning the regulation of algorithms, an infrastructural perspective examines how public values like privacy and accountability are built into international data infrastructures. The creation of data infrastructures affects existing modes of governance and fosters novel power relations among public and private actors. We highlight emergent modes of standard setting, thus enriching Yeung’s (2018) taxonomy, and question the practical effects of operationalizing public values through infrastructural choices. Ultimately, the article offers a critical reading of algorithmic security, and how it materially, legally, and politically supports specific ways of doing security.

Small data is often invoked as an antidote to the aggregative logic of big data where the world is bound into a whole through the combination of discrete bits of information. This essay suggests that small and big data actually complement each other, especially since the former refines (rather than challenges) the logic of the latter. If data, therefore, binds individuals and the social into a relational whole, how can we begin to comprehend the desire to break free of such relation? At a time when relation has become ontological—we are told to be social, network, and connect—is there any hope of locating a space away from the informational bind of relation? The essay historicises these questions by conceptualising moments when the relational bind of data frays ever so slightly to allow some relief from the landscape of big and small data. In so doing, it engages Nigel Thrift’s

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